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LAST-MODIFIED:20170819T001017Z
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SUMMARY:Taylor Mac\, A 24-Decade History of Popular Music\, San Francisco
DESCRIPTION:Equal parts community organizer\, Elizabethan fool and bedazzled bon vivant\, Taylor Mac has created internationally award-winning performance events that at once provoke and embrace his diverse audience. Mac is beloved for his iconic beauty\, disarming vulnerability\, and soaring spirit. Drawing from his current project\, A 24 Decade History of Popular Music\, which was developed in part at the Sundance Institute Theatre Lab and includes an epic performance over 24 continuous hours\, this show will kick off MLK Week on campus and feature songs from 1946-1976\, from the Civil Rights Movement to the Stonewall Riots. \nTaylor Mac seduces you\, breaks your heart\, patches it back up again and sews sequins along the scars.” – The Irish Times \n“Taylor Mac gave me one of the great experiences of my life. I’ve slept on it\, and I’m sure.” – The New York Times \n“The greatest theatrical feat ever…” – OUT 100 2016 \nThe New York Times 2016 Best Theatre and Best Performances of 2016 lists
URL:http://dantonboller.com/shows/taylor-mac-a-24-decade-history-of-popular-music-san-francisco/
LOCATION:Curran Theater and Stanford Live Arts in Association with the Magic Theater\, San Francisco\, CA\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170915T170000
DTEND;TZID=America/New_York:20170915T230000
DTSTAMP:20170819T004911Z
CREATED:20170819T000452Z
LAST-MODIFIED:20170819T004911Z
UID:901-1505494800-1505516400@dantonboller.com
SUMMARY:Taylor Mac\, Chapter I (1776-1836)\, San Francisco
DESCRIPTION:Taylor Mac’s groundbreaking performance art concept A 24-DECADE HISTORY OF POPULAR MUSIC is “a must-see for anyone who wants to see a kinder\, gentler society.” (Huffington Post) \nA 24-DECADE HISTORY OF POPULAR MUSIC is Taylor Mac’s multi-year effort to chart a subjective history of the United States through is a unique mash-up of music\, history\, performance\, and art that were popular throughout the country\, and in its disparate communities\, from 1776 to the present day.\n\n“One of the great experiences of my life.” -The New York Times \n\nTaylor Mac (who prefers the gender pronoun “judy”) is a New York-based theater artist\, playwright\, actor\, singer-songwriter\, cabaret performer\, performance artist\, director\, and producer whose many talents combine in the spectacular A 24-DECADE HISTORY OF POPULAR MUSIC. Taylor recently won the 2017 Edward M. Kennedy Award for Drama inspired by American History and was a 2017 Pulitzer Prize Finalist for Drama. A 24-DECADE HISTORY OF POPULAR MUSIC had the distinct honor of being included on an unprecedented three New York Times “Best of…” lists in 2016: Performance\, Theater and Classical Music. \nThe concert will be presented as four six-hour chapters\, together making the first complete presentation since Taylor’s historic 24-hour marathon performance at Brooklyn’s St. Ann’s Warehouse last fall. Tickets can be purchased as single chapters\, or audience members can purchase a four performance series – the pièce de résistance in it’s entirety\, an experience that The New York Times’ Wesley Morris called “one of the great experiences of my life.” \n\nChapter I (1776-1836) September 15: The American Revolution from the perspective of the yankee doodle dandy\, the early women’s lib movement\, an epic battle between drinking songs and early temperance songs\, a dream sequence where the audience is blindfolded and the heteronormative narrative as colonization.\n\n\nChapter II (1836-1896) September 17: Walt Whitman and Stephen Foster go head to head for the title of Father of the American Song\, culminating in the queerest Civil War Reenactment in history. Oh\, and: a production of THE MIKADO set on Mars.\n\n\nChapter III (1896-1956) September 22: A Jewish tenement\, a WWI trench\, a speakeasy\, a depression\, a zoot suit riot all make the white people flee the cities.\nChapter IV (1956-the present) September 24: Bayard Rustin’s March on Washington leads to a queer riot\, sexual deviance as revolution\, radical lesbians\, and a community building itself while under siege.\n\nTaylor Mac seduces you\, breaks your heart\, patches it back up again and sews sequins along the scars.” – The Irish Times \n“Taylor Mac gave me one of the great experiences of my life. I’ve slept on it\, and I’m sure.” – The New York Times \n“The greatest theatrical feat ever…” – OUT 100 2016 \nThe New York Times 2016 Best Theatre and Best Performances of 2016 lists
URL:http://dantonboller.com/shows/taylor-mac-a-24-decade-history-of-popular-music-san-francisco-2/
LOCATION:Curran Theater and Stanford Live Arts in Association with the Magic Theater\, San Francisco\, CA\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170917T170000
DTEND;TZID=America/New_York:20170917T230000
DTSTAMP:20170819T001138Z
CREATED:20170819T001138Z
LAST-MODIFIED:20170819T001138Z
UID:910-1505667600-1505689200@dantonboller.com
SUMMARY:Taylor Mac\, Chapter II (1836-1896)\, San Francisco
DESCRIPTION:Taylor Mac’s groundbreaking performance art concept A 24-DECADE HISTORY OF POPULAR MUSIC is “a must-see for anyone who wants to see a kinder\, gentler society.” (Huffington Post) \nA 24-DECADE HISTORY OF POPULAR MUSIC is Taylor Mac’s multi-year effort to chart a subjective history of the United States through is a unique mash-up of music\, history\, performance\, and art that were popular throughout the country\, and in its disparate communities\, from 1776 to the present day.\n\n“One of the great experiences of my life.” -The New York Times \n\nTaylor Mac (who prefers the gender pronoun “judy”) is a New York-based theater artist\, playwright\, actor\, singer-songwriter\, cabaret performer\, performance artist\, director\, and producer whose many talents combine in the spectacular A 24-DECADE HISTORY OF POPULAR MUSIC. Taylor recently won the 2017 Edward M. Kennedy Award for Drama inspired by American History and was a 2017 Pulitzer Prize Finalist for Drama. A 24-DECADE HISTORY OF POPULAR MUSIC had the distinct honor of being included on an unprecedented three New York Times “Best of…” lists in 2016: Performance\, Theater and Classical Music. \nThe concert will be presented as four six-hour chapters\, together making the first complete presentation since Taylor’s historic 24-hour marathon performance at Brooklyn’s St. Ann’s Warehouse last fall. Tickets can be purchased as single chapters\, or audience members can purchase a four performance series – the pièce de résistance in it’s entirety\, an experience that The New York Times’ Wesley Morris called “one of the great experiences of my life.” \n\nChapter I (1776-1836) September 15: The American Revolution from the perspective of the yankee doodle dandy\, the early women’s lib movement\, an epic battle between drinking songs and early temperance songs\, a dream sequence where the audience is blindfolded and the heteronormative narrative as colonization.\n\n\nChapter II (1836-1896) September 17: Walt Whitman and Stephen Foster go head to head for the title of Father of the American Song\, culminating in the queerest Civil War Reenactment in history. Oh\, and: a production of THE MIKADO set on Mars.\n\n\nChapter III (1896-1956) September 22: A Jewish tenement\, a WWI trench\, a speakeasy\, a depression\, a zoot suit riot all make the white people flee the cities.\nChapter IV (1956-the present) September 24: Bayard Rustin’s March on Washington leads to a queer riot\, sexual deviance as revolution\, radical lesbians\, and a community building itself while under siege.\n\nTaylor Mac seduces you\, breaks your heart\, patches it back up again and sews sequins along the scars.” – The Irish Times \n“Taylor Mac gave me one of the great experiences of my life. I’ve slept on it\, and I’m sure.” – The New York Times \n“The greatest theatrical feat ever…” – OUT 100 2016 \nThe New York Times 2016 Best Theatre and Best Performances of 2016 lists
URL:http://dantonboller.com/shows/taylor-mac-chapter-ii-1836-1896-san-francisco/
LOCATION:Curran Theater and Stanford Live Arts in Association with the Magic Theater\, San Francisco\, CA\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170922T170000
DTEND;TZID=America/New_York:20170922T230000
DTSTAMP:20170819T005024Z
CREATED:20170819T001309Z
LAST-MODIFIED:20170819T005024Z
UID:912-1506099600-1506121200@dantonboller.com
SUMMARY:Taylor Mac\, Chapter III (1896-1956)\, San Francisco
DESCRIPTION:Taylor Mac’s groundbreaking performance art concept A 24-DECADE HISTORY OF POPULAR MUSIC is “a must-see for anyone who wants to see a kinder\, gentler society.” (Huffington Post) \nA 24-DECADE HISTORY OF POPULAR MUSIC is Taylor Mac’s multi-year effort to chart a subjective history of the United States through is a unique mash-up of music\, history\, performance\, and art that were popular throughout the country\, and in its disparate communities\, from 1776 to the present day.\n\n“One of the great experiences of my life.” -The New York Times \n\nTaylor Mac (who prefers the gender pronoun “judy”) is a New York-based theater artist\, playwright\, actor\, singer-songwriter\, cabaret performer\, performance artist\, director\, and producer whose many talents combine in the spectacular A 24-DECADE HISTORY OF POPULAR MUSIC. Taylor recently won the 2017 Edward M. Kennedy Award for Drama inspired by American History and was a 2017 Pulitzer Prize Finalist for Drama. A 24-DECADE HISTORY OF POPULAR MUSIC had the distinct honor of being included on an unprecedented three New York Times “Best of…” lists in 2016: Performance\, Theater and Classical Music. \nThe concert will be presented as four six-hour chapters\, together making the first complete presentation since Taylor’s historic 24-hour marathon performance at Brooklyn’s St. Ann’s Warehouse last fall. Tickets can be purchased as single chapters\, or audience members can purchase a four performance series – the pièce de résistance in it’s entirety\, an experience that The New York Times’ Wesley Morris called “one of the great experiences of my life.” \n\nChapter I (1776-1836) September 15: The American Revolution from the perspective of the yankee doodle dandy\, the early women’s lib movement\, an epic battle between drinking songs and early temperance songs\, a dream sequence where the audience is blindfolded and the heteronormative narrative as colonization.\n\n\nChapter II (1836-1896) September 17: Walt Whitman and Stephen Foster go head to head for the title of Father of the American Song\, culminating in the queerest Civil War Reenactment in history. Oh\, and: a production of THE MIKADO set on Mars.\n\n\nChapter III (1896-1956) September 22: A Jewish tenement\, a WWI trench\, a speakeasy\, a depression\, a zoot suit riot all make the white people flee the cities.\nChapter IV (1956-the present) September 24: Bayard Rustin’s March on Washington leads to a queer riot\, sexual deviance as revolution\, radical lesbians\, and a community building itself while under siege.\n\nTaylor Mac seduces you\, breaks your heart\, patches it back up again and sews sequins along the scars.” – The Irish Times \n“Taylor Mac gave me one of the great experiences of my life. I’ve slept on it\, and I’m sure.” – The New York Times \n“The greatest theatrical feat ever…” – OUT 100 2016 \nThe New York Times 2016 Best Theatre and Best Performances of 2016 lists
URL:http://dantonboller.com/shows/taylor-macchapter-iii-1896-1956-san-francisco/
LOCATION:Curran Theater and Stanford Live Arts in Association with the Magic Theater\, San Francisco\, CA\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170924T170000
DTEND;TZID=America/New_York:20170924T230000
DTSTAMP:20170819T004743Z
CREATED:20170819T004627Z
LAST-MODIFIED:20170819T004743Z
UID:914-1506272400-1506294000@dantonboller.com
SUMMARY:Taylor Mac\, Chapter IV (1956-the present)\, San Francisco
DESCRIPTION:Taylor Mac’s groundbreaking performance art concept A 24-DECADE HISTORY OF POPULAR MUSIC is “a must-see for anyone who wants to see a kinder\, gentler society.” (Huffington Post) \nA 24-DECADE HISTORY OF POPULAR MUSIC is Taylor Mac’s multi-year effort to chart a subjective history of the United States through is a unique mash-up of music\, history\, performance\, and art that were popular throughout the country\, and in its disparate communities\, from 1776 to the present day.\n\n“One of the great experiences of my life.” -The New York Times \n\nTaylor Mac (who prefers the gender pronoun “judy”) is a New York-based theater artist\, playwright\, actor\, singer-songwriter\, cabaret performer\, performance artist\, director\, and producer whose many talents combine in the spectacular A 24-DECADE HISTORY OF POPULAR MUSIC. Taylor recently won the 2017 Edward M. Kennedy Award for Drama inspired by American History and was a 2017 Pulitzer Prize Finalist for Drama. A 24-DECADE HISTORY OF POPULAR MUSIC had the distinct honor of being included on an unprecedented three New York Times “Best of…” lists in 2016: Performance\, Theater and Classical Music. \nThe concert will be presented as four six-hour chapters\, together making the first complete presentation since Taylor’s historic 24-hour marathon performance at Brooklyn’s St. Ann’s Warehouse last fall. Tickets can be purchased as single chapters\, or audience members can purchase a four performance series – the pièce de résistance in it’s entirety\, an experience that The New York Times’ Wesley Morris called “one of the great experiences of my life.” \n\nChapter I (1776-1836) September 15: The American Revolution from the perspective of the yankee doodle dandy\, the early women’s lib movement\, an epic battle between drinking songs and early temperance songs\, a dream sequence where the audience is blindfolded and the heteronormative narrative as colonization.\n\n\nChapter II (1836-1896) September 17: Walt Whitman and Stephen Foster go head to head for the title of Father of the American Song\, culminating in the queerest Civil War Reenactment in history. Oh\, and: a production of THE MIKADO set on Mars.\n\n\nChapter III (1896-1956) September 22: A Jewish tenement\, a WWI trench\, a speakeasy\, a depression\, a zoot suit riot all make the white people flee the cities.\nChapter IV (1956-the present) September 24: Bayard Rustin’s March on Washington leads to a queer riot\, sexual deviance as revolution\, radical lesbians\, and a community building itself while under siege.\n\nTaylor Mac seduces you\, breaks your heart\, patches it back up again and sews sequins along the scars.” – The Irish Times \n“Taylor Mac gave me one of the great experiences of my life. I’ve slept on it\, and I’m sure.” – The New York Times \n“The greatest theatrical feat ever…” – OUT 100 2016 \nThe New York Times 2016 Best Theatre and Best Performances of 2016 lists
URL:http://dantonboller.com/shows/taylor-mac-chapter-iv-1956-the-present-san-francisco/
LOCATION:Curran Theater and Stanford Live Arts in Association with the Magic Theater\, San Francisco\, CA\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170927T193000
DTEND;TZID=America/New_York:20170927T193000
DTSTAMP:20170819T005517Z
CREATED:20170819T005517Z
LAST-MODIFIED:20170819T005517Z
UID:919-1506540600-1506540600@dantonboller.com
SUMMARY:Taylor Mac\, A 24-Decade History of Popular Music (Abridged)\, Stanford\, CA
DESCRIPTION:Taylor Mac is the American theater’s most beloved maximalist. Creating extravagant performances with jester-like charm\, Mac’s work reflects the vast mosaic of the American imagination. \nWith Mac as our puckish guide\, join us for an abridged version of his epic 24-hour performance art concert\, which decodes the social history of the United States—all 240 years and counting—through popular songs ranging from “Yankee Doodle Dandy” to disco. The show is a dazzling\, community-building experience that reflects our nation’s diverse and sometimes dysfunctional story in order to reinvigorate a distinctively American sense of possibility. \nA 24-Decade History of Popular Music is the winner of the 2017 Edward M. Kennedy Prize for Drama Inspired by American History and a finalist for the 2017 Pulitzer Prize for Drama. \nIn partnership with Stanford Live\, the entirety of A 24-Decade History will be performed in four parts at the Curran in San Francisco on September 15\, 17\, 22\, and 24. For information\, visit sfcurran.com.
URL:http://dantonboller.com/shows/taylor-mac-a-24-decade-history-of-popular-music-abridged-stanford-ca/
LOCATION:Bing Concert Hall\, 327 Lasuen Street\, Stanford\, CA\, 94305\, United States
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