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DTSTART;TZID=America/New_York:20171027T210000
DTEND;TZID=America/New_York:20171027T210000
DTSTAMP:20260503T115232
CREATED:20170819T013615Z
LAST-MODIFIED:20170819T013920Z
UID:946-1509138000-1509138000@dantonboller.com
SUMMARY:Keller Williams/Grateful Grass\, Houston\, TX
DESCRIPTION:Keller Williams’ Grateful Grass featuring Jeff Austin\, Jay Starling (Love Canon) and Danton Boller delivers anything-but-traditional bluegrass versions of Grateful Dead favorites. \n“Loose interpretations of Grateful Dead songs done in a bluegrass style. Take my fascination with Grateful Dead songs and mix it together with my love of psychedelic improvisational bluegrass music and out burps this project.\nWARNING: If you like your Grateful Dead songs performed in their original way\, or if you prefer traditional bluegrass\, this is not the project for you.  If you like singing along to Dead songs in that song’s normal tempo but dancing double time to the music\, this is definitely your jam.   A lot of people seem to dig it and I dig them for that.” – Keller Williams
URL:http://dantonboller.com/shows/keller-williamsgrateful-grass-houston-tx/
LOCATION:The Ballroom at Warehouse Live\, 813 Saint Emanuel Street\, Houston\, TX\, 77003\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171026T213820
DTEND;TZID=America/New_York:20171026T213820
DTSTAMP:20260503T115232
CREATED:20171027T012206Z
LAST-MODIFIED:20171027T012206Z
UID:1013-1509053900-1509053900@dantonboller.com
SUMMARY:GOAT at the Bitter End\, NYC
DESCRIPTION:
URL:http://dantonboller.com/shows/goat-at-the-bitter-end-nyc-4/
LOCATION:CA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171026T210000
DTEND;TZID=America/New_York:20171026T233000
DTSTAMP:20260503T115232
CREATED:20170819T012657Z
LAST-MODIFIED:20171027T012818Z
UID:935-1509051600-1509060600@dantonboller.com
SUMMARY:Keller Williams/Grateful Grass\, New Orleans
DESCRIPTION:Keller Williams’ Grateful Grass featuring Jeff Austin\, Jay Starling (Love Canon) and Danton Boller delivers anything-but-traditional bluegrass versions of Grateful Dead favorites. \n“Loose interpretations of Grateful Dead songs done in a bluegrass style. Take my fascination with Grateful Dead songs and mix it together with my love of psychedelic improvisational bluegrass music and out burps this project.\nWARNING: If you like your Grateful Dead songs performed in their original way\, or if you prefer traditional bluegrass\, this is not the project for you.  If you like singing along to Dead songs in that song’s normal tempo but dancing double time to the music\, this is definitely your jam.   A lot of people seem to dig it and I dig them for that.” – Keller Williams
URL:http://dantonboller.com/shows/keller-williamsgrateful-grass-new-orleans/
LOCATION:Joy Theater\, 1200 Canal St.\, New Orleans\, LA\, 70112\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171023T183000
DTEND;TZID=America/New_York:20171023T183000
DTSTAMP:20260503T115232
CREATED:20170818T234438Z
LAST-MODIFIED:20171017T035552Z
UID:896-1508783400-1508783400@dantonboller.com
SUMMARY:Michael Leonhart Orchestra\, NYC
DESCRIPTION:In the spirit of Ellington and Zappa’s bands\, the MLO consists of unique improvisers/instrumentalists\, performing Leonhart’s innovative arrangements. \nAt age 17\, Michael was honored as the youngest Grammy recipient in history\, cited as the most outstanding musician in a U.S. high school. \nMichael has performed with Steely Dan since 1996\, recording two albums with them\, including 2000’s Grammy winning Album of the Year “Two Against Nature” on which he was a featured soloist\, arranger and conductor. He has performed and/or recorded with music legends James Brown\, Ringo Starr\, Brain Eno\, Paul Simon\, Eric Clapton\, Levon Helm\, Yoko Ono\, David Byrne\, Dr. John\, Steve Winwood\, Bill Withers\, Bette Midler\, Michael McDonald\, Boz Scaggs\, Thurston Moore and Kim Gordon (Sonic Youth)\, Caetano Veloso\, A Tribe Called Quest\, Raekwon (Wutang Clan)\, Henry Mancini\, John Barry\, Steven Tyler (Aerosmith)\, Bobby McFerrin\, Wynton Marsalis\, Todd Rundgren and Bonnie Raitt. \nMichael can be heard playing trumpet on Mark Ronson’s #1 hit “Uptown Funk” featuring Bruno Mars.
URL:http://dantonboller.com/shows/michael-leonhart-orchestra-nyc/
LOCATION:CA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171008T163000
DTEND;TZID=America/New_York:20171008T163000
DTSTAMP:20260503T115232
CREATED:20170818T234852Z
LAST-MODIFIED:20170818T234852Z
UID:898-1507480200-1507480200@dantonboller.com
SUMMARY:Keller Williams/Grateful Grass\, Stratton\, Vermont
DESCRIPTION:The Keller Williams Grateful Grass featuring Jeff Austin\, Andy Hall\, Jeremy Garrett and Danton Boller delivers anything-but-traditional bluegrass versions of Grateful Dead favorites. \n“Loose interpretations of Grateful Dead songs done in a bluegrass style. Take my fascination with Grateful Dead songs and mix it together with my love of psychedelic improvisational bluegrass music and out burps this project.\nWARNING: If you like your Grateful Dead songs performed in their original way\, or if you prefer traditional bluegrass\, this is not the project for you.  If you like singing along to Dead songs in that song’s normal tempo but dancing double time to the music\, this is definitely your jam.   A lot of people seem to dig it and I dig them for that.” – Keller Williams
URL:http://dantonboller.com/shows/keller-williamsgrateful-grass-stratton-vermont/
LOCATION:Stratton Mountain Music Festival\, 5 Village Lodge Rd\, South Londonderry\,\, VT\, 05155\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170927T193000
DTEND;TZID=America/New_York:20170927T193000
DTSTAMP:20260503T115232
CREATED:20170819T005517Z
LAST-MODIFIED:20170819T005517Z
UID:919-1506540600-1506540600@dantonboller.com
SUMMARY:Taylor Mac\, A 24-Decade History of Popular Music (Abridged)\, Stanford\, CA
DESCRIPTION:Taylor Mac is the American theater’s most beloved maximalist. Creating extravagant performances with jester-like charm\, Mac’s work reflects the vast mosaic of the American imagination. \nWith Mac as our puckish guide\, join us for an abridged version of his epic 24-hour performance art concert\, which decodes the social history of the United States—all 240 years and counting—through popular songs ranging from “Yankee Doodle Dandy” to disco. The show is a dazzling\, community-building experience that reflects our nation’s diverse and sometimes dysfunctional story in order to reinvigorate a distinctively American sense of possibility. \nA 24-Decade History of Popular Music is the winner of the 2017 Edward M. Kennedy Prize for Drama Inspired by American History and a finalist for the 2017 Pulitzer Prize for Drama. \nIn partnership with Stanford Live\, the entirety of A 24-Decade History will be performed in four parts at the Curran in San Francisco on September 15\, 17\, 22\, and 24. For information\, visit sfcurran.com.
URL:http://dantonboller.com/shows/taylor-mac-a-24-decade-history-of-popular-music-abridged-stanford-ca/
LOCATION:Bing Concert Hall\, 327 Lasuen Street\, Stanford\, CA\, 94305\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170924T170000
DTEND;TZID=America/New_York:20170924T230000
DTSTAMP:20260503T115232
CREATED:20170819T004627Z
LAST-MODIFIED:20170819T004743Z
UID:914-1506272400-1506294000@dantonboller.com
SUMMARY:Taylor Mac\, Chapter IV (1956-the present)\, San Francisco
DESCRIPTION:Taylor Mac’s groundbreaking performance art concept A 24-DECADE HISTORY OF POPULAR MUSIC is “a must-see for anyone who wants to see a kinder\, gentler society.” (Huffington Post) \nA 24-DECADE HISTORY OF POPULAR MUSIC is Taylor Mac’s multi-year effort to chart a subjective history of the United States through is a unique mash-up of music\, history\, performance\, and art that were popular throughout the country\, and in its disparate communities\, from 1776 to the present day.\n\n“One of the great experiences of my life.” -The New York Times \n\nTaylor Mac (who prefers the gender pronoun “judy”) is a New York-based theater artist\, playwright\, actor\, singer-songwriter\, cabaret performer\, performance artist\, director\, and producer whose many talents combine in the spectacular A 24-DECADE HISTORY OF POPULAR MUSIC. Taylor recently won the 2017 Edward M. Kennedy Award for Drama inspired by American History and was a 2017 Pulitzer Prize Finalist for Drama. A 24-DECADE HISTORY OF POPULAR MUSIC had the distinct honor of being included on an unprecedented three New York Times “Best of…” lists in 2016: Performance\, Theater and Classical Music. \nThe concert will be presented as four six-hour chapters\, together making the first complete presentation since Taylor’s historic 24-hour marathon performance at Brooklyn’s St. Ann’s Warehouse last fall. Tickets can be purchased as single chapters\, or audience members can purchase a four performance series – the pièce de résistance in it’s entirety\, an experience that The New York Times’ Wesley Morris called “one of the great experiences of my life.” \n\nChapter I (1776-1836) September 15: The American Revolution from the perspective of the yankee doodle dandy\, the early women’s lib movement\, an epic battle between drinking songs and early temperance songs\, a dream sequence where the audience is blindfolded and the heteronormative narrative as colonization.\n\n\nChapter II (1836-1896) September 17: Walt Whitman and Stephen Foster go head to head for the title of Father of the American Song\, culminating in the queerest Civil War Reenactment in history. Oh\, and: a production of THE MIKADO set on Mars.\n\n\nChapter III (1896-1956) September 22: A Jewish tenement\, a WWI trench\, a speakeasy\, a depression\, a zoot suit riot all make the white people flee the cities.\nChapter IV (1956-the present) September 24: Bayard Rustin’s March on Washington leads to a queer riot\, sexual deviance as revolution\, radical lesbians\, and a community building itself while under siege.\n\nTaylor Mac seduces you\, breaks your heart\, patches it back up again and sews sequins along the scars.” – The Irish Times \n“Taylor Mac gave me one of the great experiences of my life. I’ve slept on it\, and I’m sure.” – The New York Times \n“The greatest theatrical feat ever…” – OUT 100 2016 \nThe New York Times 2016 Best Theatre and Best Performances of 2016 lists
URL:http://dantonboller.com/shows/taylor-mac-chapter-iv-1956-the-present-san-francisco/
LOCATION:Curran Theater and Stanford Live Arts in Association with the Magic Theater\, San Francisco\, CA\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170922T170000
DTEND;TZID=America/New_York:20170922T230000
DTSTAMP:20260503T115232
CREATED:20170819T001309Z
LAST-MODIFIED:20170819T005024Z
UID:912-1506099600-1506121200@dantonboller.com
SUMMARY:Taylor Mac\, Chapter III (1896-1956)\, San Francisco
DESCRIPTION:Taylor Mac’s groundbreaking performance art concept A 24-DECADE HISTORY OF POPULAR MUSIC is “a must-see for anyone who wants to see a kinder\, gentler society.” (Huffington Post) \nA 24-DECADE HISTORY OF POPULAR MUSIC is Taylor Mac’s multi-year effort to chart a subjective history of the United States through is a unique mash-up of music\, history\, performance\, and art that were popular throughout the country\, and in its disparate communities\, from 1776 to the present day.\n\n“One of the great experiences of my life.” -The New York Times \n\nTaylor Mac (who prefers the gender pronoun “judy”) is a New York-based theater artist\, playwright\, actor\, singer-songwriter\, cabaret performer\, performance artist\, director\, and producer whose many talents combine in the spectacular A 24-DECADE HISTORY OF POPULAR MUSIC. Taylor recently won the 2017 Edward M. Kennedy Award for Drama inspired by American History and was a 2017 Pulitzer Prize Finalist for Drama. A 24-DECADE HISTORY OF POPULAR MUSIC had the distinct honor of being included on an unprecedented three New York Times “Best of…” lists in 2016: Performance\, Theater and Classical Music. \nThe concert will be presented as four six-hour chapters\, together making the first complete presentation since Taylor’s historic 24-hour marathon performance at Brooklyn’s St. Ann’s Warehouse last fall. Tickets can be purchased as single chapters\, or audience members can purchase a four performance series – the pièce de résistance in it’s entirety\, an experience that The New York Times’ Wesley Morris called “one of the great experiences of my life.” \n\nChapter I (1776-1836) September 15: The American Revolution from the perspective of the yankee doodle dandy\, the early women’s lib movement\, an epic battle between drinking songs and early temperance songs\, a dream sequence where the audience is blindfolded and the heteronormative narrative as colonization.\n\n\nChapter II (1836-1896) September 17: Walt Whitman and Stephen Foster go head to head for the title of Father of the American Song\, culminating in the queerest Civil War Reenactment in history. Oh\, and: a production of THE MIKADO set on Mars.\n\n\nChapter III (1896-1956) September 22: A Jewish tenement\, a WWI trench\, a speakeasy\, a depression\, a zoot suit riot all make the white people flee the cities.\nChapter IV (1956-the present) September 24: Bayard Rustin’s March on Washington leads to a queer riot\, sexual deviance as revolution\, radical lesbians\, and a community building itself while under siege.\n\nTaylor Mac seduces you\, breaks your heart\, patches it back up again and sews sequins along the scars.” – The Irish Times \n“Taylor Mac gave me one of the great experiences of my life. I’ve slept on it\, and I’m sure.” – The New York Times \n“The greatest theatrical feat ever…” – OUT 100 2016 \nThe New York Times 2016 Best Theatre and Best Performances of 2016 lists
URL:http://dantonboller.com/shows/taylor-macchapter-iii-1896-1956-san-francisco/
LOCATION:Curran Theater and Stanford Live Arts in Association with the Magic Theater\, San Francisco\, CA\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170917T170000
DTEND;TZID=America/New_York:20170917T230000
DTSTAMP:20260503T115232
CREATED:20170819T001138Z
LAST-MODIFIED:20170819T001138Z
UID:910-1505667600-1505689200@dantonboller.com
SUMMARY:Taylor Mac\, Chapter II (1836-1896)\, San Francisco
DESCRIPTION:Taylor Mac’s groundbreaking performance art concept A 24-DECADE HISTORY OF POPULAR MUSIC is “a must-see for anyone who wants to see a kinder\, gentler society.” (Huffington Post) \nA 24-DECADE HISTORY OF POPULAR MUSIC is Taylor Mac’s multi-year effort to chart a subjective history of the United States through is a unique mash-up of music\, history\, performance\, and art that were popular throughout the country\, and in its disparate communities\, from 1776 to the present day.\n\n“One of the great experiences of my life.” -The New York Times \n\nTaylor Mac (who prefers the gender pronoun “judy”) is a New York-based theater artist\, playwright\, actor\, singer-songwriter\, cabaret performer\, performance artist\, director\, and producer whose many talents combine in the spectacular A 24-DECADE HISTORY OF POPULAR MUSIC. Taylor recently won the 2017 Edward M. Kennedy Award for Drama inspired by American History and was a 2017 Pulitzer Prize Finalist for Drama. A 24-DECADE HISTORY OF POPULAR MUSIC had the distinct honor of being included on an unprecedented three New York Times “Best of…” lists in 2016: Performance\, Theater and Classical Music. \nThe concert will be presented as four six-hour chapters\, together making the first complete presentation since Taylor’s historic 24-hour marathon performance at Brooklyn’s St. Ann’s Warehouse last fall. Tickets can be purchased as single chapters\, or audience members can purchase a four performance series – the pièce de résistance in it’s entirety\, an experience that The New York Times’ Wesley Morris called “one of the great experiences of my life.” \n\nChapter I (1776-1836) September 15: The American Revolution from the perspective of the yankee doodle dandy\, the early women’s lib movement\, an epic battle between drinking songs and early temperance songs\, a dream sequence where the audience is blindfolded and the heteronormative narrative as colonization.\n\n\nChapter II (1836-1896) September 17: Walt Whitman and Stephen Foster go head to head for the title of Father of the American Song\, culminating in the queerest Civil War Reenactment in history. Oh\, and: a production of THE MIKADO set on Mars.\n\n\nChapter III (1896-1956) September 22: A Jewish tenement\, a WWI trench\, a speakeasy\, a depression\, a zoot suit riot all make the white people flee the cities.\nChapter IV (1956-the present) September 24: Bayard Rustin’s March on Washington leads to a queer riot\, sexual deviance as revolution\, radical lesbians\, and a community building itself while under siege.\n\nTaylor Mac seduces you\, breaks your heart\, patches it back up again and sews sequins along the scars.” – The Irish Times \n“Taylor Mac gave me one of the great experiences of my life. I’ve slept on it\, and I’m sure.” – The New York Times \n“The greatest theatrical feat ever…” – OUT 100 2016 \nThe New York Times 2016 Best Theatre and Best Performances of 2016 lists
URL:http://dantonboller.com/shows/taylor-mac-chapter-ii-1836-1896-san-francisco/
LOCATION:Curran Theater and Stanford Live Arts in Association with the Magic Theater\, San Francisco\, CA\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170915T170000
DTEND;TZID=America/New_York:20170915T230000
DTSTAMP:20260503T115232
CREATED:20170819T000452Z
LAST-MODIFIED:20170819T004911Z
UID:901-1505494800-1505516400@dantonboller.com
SUMMARY:Taylor Mac\, Chapter I (1776-1836)\, San Francisco
DESCRIPTION:Taylor Mac’s groundbreaking performance art concept A 24-DECADE HISTORY OF POPULAR MUSIC is “a must-see for anyone who wants to see a kinder\, gentler society.” (Huffington Post) \nA 24-DECADE HISTORY OF POPULAR MUSIC is Taylor Mac’s multi-year effort to chart a subjective history of the United States through is a unique mash-up of music\, history\, performance\, and art that were popular throughout the country\, and in its disparate communities\, from 1776 to the present day.\n\n“One of the great experiences of my life.” -The New York Times \n\nTaylor Mac (who prefers the gender pronoun “judy”) is a New York-based theater artist\, playwright\, actor\, singer-songwriter\, cabaret performer\, performance artist\, director\, and producer whose many talents combine in the spectacular A 24-DECADE HISTORY OF POPULAR MUSIC. Taylor recently won the 2017 Edward M. Kennedy Award for Drama inspired by American History and was a 2017 Pulitzer Prize Finalist for Drama. A 24-DECADE HISTORY OF POPULAR MUSIC had the distinct honor of being included on an unprecedented three New York Times “Best of…” lists in 2016: Performance\, Theater and Classical Music. \nThe concert will be presented as four six-hour chapters\, together making the first complete presentation since Taylor’s historic 24-hour marathon performance at Brooklyn’s St. Ann’s Warehouse last fall. Tickets can be purchased as single chapters\, or audience members can purchase a four performance series – the pièce de résistance in it’s entirety\, an experience that The New York Times’ Wesley Morris called “one of the great experiences of my life.” \n\nChapter I (1776-1836) September 15: The American Revolution from the perspective of the yankee doodle dandy\, the early women’s lib movement\, an epic battle between drinking songs and early temperance songs\, a dream sequence where the audience is blindfolded and the heteronormative narrative as colonization.\n\n\nChapter II (1836-1896) September 17: Walt Whitman and Stephen Foster go head to head for the title of Father of the American Song\, culminating in the queerest Civil War Reenactment in history. Oh\, and: a production of THE MIKADO set on Mars.\n\n\nChapter III (1896-1956) September 22: A Jewish tenement\, a WWI trench\, a speakeasy\, a depression\, a zoot suit riot all make the white people flee the cities.\nChapter IV (1956-the present) September 24: Bayard Rustin’s March on Washington leads to a queer riot\, sexual deviance as revolution\, radical lesbians\, and a community building itself while under siege.\n\nTaylor Mac seduces you\, breaks your heart\, patches it back up again and sews sequins along the scars.” – The Irish Times \n“Taylor Mac gave me one of the great experiences of my life. I’ve slept on it\, and I’m sure.” – The New York Times \n“The greatest theatrical feat ever…” – OUT 100 2016 \nThe New York Times 2016 Best Theatre and Best Performances of 2016 lists
URL:http://dantonboller.com/shows/taylor-mac-a-24-decade-history-of-popular-music-san-francisco-2/
LOCATION:Curran Theater and Stanford Live Arts in Association with the Magic Theater\, San Francisco\, CA\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170910
DTEND;VALUE=DATE:20170930
DTSTAMP:20260503T115232
CREATED:20170601T011109Z
LAST-MODIFIED:20170819T001017Z
UID:883-1505016000-1506657599@dantonboller.com
SUMMARY:Taylor Mac\, A 24-Decade History of Popular Music\, San Francisco
DESCRIPTION:Equal parts community organizer\, Elizabethan fool and bedazzled bon vivant\, Taylor Mac has created internationally award-winning performance events that at once provoke and embrace his diverse audience. Mac is beloved for his iconic beauty\, disarming vulnerability\, and soaring spirit. Drawing from his current project\, A 24 Decade History of Popular Music\, which was developed in part at the Sundance Institute Theatre Lab and includes an epic performance over 24 continuous hours\, this show will kick off MLK Week on campus and feature songs from 1946-1976\, from the Civil Rights Movement to the Stonewall Riots. \nTaylor Mac seduces you\, breaks your heart\, patches it back up again and sews sequins along the scars.” – The Irish Times \n“Taylor Mac gave me one of the great experiences of my life. I’ve slept on it\, and I’m sure.” – The New York Times \n“The greatest theatrical feat ever…” – OUT 100 2016 \nThe New York Times 2016 Best Theatre and Best Performances of 2016 lists
URL:http://dantonboller.com/shows/taylor-mac-a-24-decade-history-of-popular-music-san-francisco/
LOCATION:Curran Theater and Stanford Live Arts in Association with the Magic Theater\, San Francisco\, CA\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170817T200000
DTEND;TZID=America/New_York:20170817T200000
DTSTAMP:20260503T115233
CREATED:20170225T010251Z
LAST-MODIFIED:20170818T234215Z
UID:700-1503000000-1503000000@dantonboller.com
SUMMARY:Steve Bloom Trio at Bar Next Door\, NYC
DESCRIPTION:Led by the always thrilling NYC guitarist Steve Bloom\, the Steve Bloom Trio explores and expands upon the music of Thelonious Monk\, Charlie Mingus\, Wayne Shorter and Ornette Coleman. Featuring the powerful dynamics of drummer Jeremy Carlstedt and the solid expression of bassist Danton Boller\, the Steve Bloom Trio brings a fresh energy and interpretation to the music of the giants. Two sets at 8:30 and 10:30pm.
URL:http://dantonboller.com/shows/steve-bloom-trio-at-bar-next-door-nyc-3/
LOCATION:Bar Next Door\, 129 Macdougal St.\, NYC\, NY\, 10012\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170811T133000
DTEND;TZID=America/New_York:20170811T133000
DTSTAMP:20260503T115233
CREATED:20170729T125238Z
LAST-MODIFIED:20170729T125300Z
UID:889-1502458200-1502458200@dantonboller.com
SUMMARY:Keller Williams KWahtro\, Peach Fest\, Scranton\, PA
DESCRIPTION:The Keller Williams KWahtro featuring Gibb Droll\, Danton Boller and Rodney Holmes is an evolution of Acoustic Dance Music. Using Keller’s songs as a template for creations involving improvisational bursts of new disco\, reggae\, drum and bass and jazz swing afro trap\, all with two acoustic guitars\, double bass and drums.
URL:http://dantonboller.com/shows/keller-williams-kwahtro-peach-fest-scranton/
LOCATION:Peach Music Festival\, Montage Mountain\, Scranton\, PA\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170730T150000
DTEND;TZID=America/New_York:20170730T150000
DTSTAMP:20260503T115233
CREATED:20170601T010558Z
LAST-MODIFIED:20170727T022557Z
UID:876-1501426800-1501426800@dantonboller.com
SUMMARY:Keller Williams KWahtro\, FloydFest\, VA
DESCRIPTION:The Keller Williams KWahtro featuring Gibb Droll\, Danton Boller and Rodney Holmes is an evolution of Acoustic Dance Music. Using Keller’s songs as a template for creations involving improvisational bursts of new disco\, reggae\, drum and bass and jazz swing afro trap\, all with two acoustic guitars\, double bass and drums.
URL:http://dantonboller.com/shows/keller-williamsgrateful-grass-floydfest-va/
LOCATION:FloydFest\, 894 Rock Castle Gorge Road\, Floyd\, VA\, 24091\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170726T210000
DTEND;TZID=America/New_York:20170726T210000
DTSTAMP:20260503T115233
CREATED:20170315T235955Z
LAST-MODIFIED:20170315T235955Z
UID:792-1501102800-1501102800@dantonboller.com
SUMMARY:Bridget Everett & The Tender Moments at Joe's Pub\, NYC
DESCRIPTION:“Who says the city no longer produces artists who challenge\, provoke and even\, on occasion\, dare to disgust? She can rock hard and does!” –The New York Times \nHot on the heels of her critically acclaimed and completely sold out production of Rock Bottom\, New York’s downtown darling Bridget Everett returns the stage with her band\, The Tender Moments\, and a bottle of chardonnay to sing all her favorite love songs and share the stories of the men that made her…feel? From tender moments to prison sex\, come get inside her. \n“She’s a one-woman liberation movement for anyone with genitals.” –New York Magazine \n“You can call it making love\, you can call it having sex\, but somebody is getting fucked tonight.” –Bridget Everett
URL:http://dantonboller.com/shows/bridget-everett-the-tender-moments-at-joes-pub-nyc-11/
LOCATION:Joe’s Pub\, 425 Lafayette St.\, New York\, NY\, 10003\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170725T210000
DTEND;TZID=America/New_York:20170725T210000
DTSTAMP:20260503T115233
CREATED:20170315T235900Z
LAST-MODIFIED:20170315T235900Z
UID:790-1501016400-1501016400@dantonboller.com
SUMMARY:Bridget Everett & The Tender Moments at Joe's Pub\, NYC
DESCRIPTION:Bridget Everett & The Tender Moments at Joe’s Pub\, NYC \n“Who says the city no longer produces artists who challenge\, provoke and even\, on occasion\, dare to disgust? She can rock hard and does!” –The New York Times \nHot on the heels of her critically acclaimed and completely sold out production of Rock Bottom\, New York’s downtown darling Bridget Everett returns the stage with her band\, The Tender Moments\, and a bottle of chardonnay to sing all her favorite love songs and share the stories of the men that made her…feel? From tender moments to prison sex\, come get inside her. \n“She’s a one-woman liberation movement for anyone with genitals.” –New York Magazine \n“You can call it making love\, you can call it having sex\, but somebody is getting fucked tonight.” –Bridget Everett
URL:http://dantonboller.com/shows/bridget-everett-the-tender-moments-at-joes-pub-nyc-10/
LOCATION:Joe’s Pub\, 425 Lafayette St.\, New York\, NY\, 10003\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170724T190000
DTEND;TZID=America/New_York:20170724T190000
DTSTAMP:20260503T115233
CREATED:20170316T003741Z
LAST-MODIFIED:20170316T004130Z
UID:800-1500922800-1500922800@dantonboller.com
SUMMARY:Matt Munisteri Band in Marlboro\, NY
DESCRIPTION:“Wicked. Jazz musicians aren’t supposed to write lyrics that good… Bands like this are why you move to New York.”\n– THE VILLAGE VOICE \n“A present day ironist with a prewar (first world war that is) heart”\n– THE NEW YORKER \n“recalls a time when instrumental virtuosity\, harmonic sophistication\, bucolic storysongs\, and a straightforward emotional delivery were not mutually exclusive”\n– ACOUSTIC GUITAR \nIt’s a daunting task\, this business of encapsulating Matt Munisteri’s musical self. As the sparkling guitarist on several chart-topping jazz CDs; a critically lauded songwriter and nimble lyricist; an urban banjo-warrior and a sometime session musician; a selfless and devoted sideman; a wry-yet-honest singer; an engaging and winning front-man; and an arranger whose ear-pulling re-inventions of well-traveled songs have contributed to Grammy winning CDs for artists such as Loudon Wainwright and Catherine Russell\, Matt’s various dueling career paths might at first seem difficult to reconcile. Additionally you’d be hard-pressed to find another Brooklyn native who grew up playing bluegrass banjo since he was in the single digits; who has recorded with artists as divergent as consummate jazz balladeer “Little” Jimmy Scott and 1980’s avante-noise godfather Glenn Branca; who is regarded as a contemporary master of 1920’s and ’30’s jazz styles\, and is an ardent student of American folk traditions\, but counts among his regular creative cohorts several musicians associated with the New York Downtown music world. Yet ultimately Matt’s journey through 20th century American music yields a vision which feels intrinsically whole\, with his own music always serving as one-of-a-kind reflection of a life immersed in all the far-flung variants of American Popular Song. Maybe it’s easier to say that whatever he’s currently up to\, it will be a living reconciliation of rural and urban\, long-gone and contemporary\, individual experience and canonized scripture. \nWith Danton Boller on bass and Ben Perowsky on drums.
URL:http://dantonboller.com/shows/matt-munisteri-band-in-marlboro-ny/
LOCATION:The Falcon\, 1348 US-9W\, Marlboro\, NY\, 12542\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170722T120000
DTEND;TZID=America/New_York:20170722T120000
DTSTAMP:20260503T115233
CREATED:20170601T005729Z
LAST-MODIFIED:20170601T010320Z
UID:872-1500724800-1500724800@dantonboller.com
SUMMARY:Keller Williams/Grateful Grass\, Moon Dance Bluegrass Festival\, Fremont\, Wisconsin
DESCRIPTION:The Keller Williams Grateful Grass featuring Jeff Austin\, Andy Hall\, Jeremy Garrett and Danton Boller delivers anything-but-traditional bluegrass versions of Grateful Dead favorites. \n“Loose interpretations of Grateful Dead songs done in a bluegrass style. Take my fascination with Grateful Dead songs and mix it together with my love of psychedelic improvisational bluegrass music and out burps this project.\nWARNING: If you like your Grateful Dead songs performed in their original way\, or if you prefer traditional bluegrass\, this is not the project for you.  If you like singing along to Dead songs in that song’s normal tempo but dancing double time to the music\, this is definitely your jam.   A lot of people seem to dig it and I dig them for that.” – Keller Williams
URL:http://dantonboller.com/shows/keller-williams-moon-dance-bluegrass-festival-fremont-wisconsin/
LOCATION:Moon Dance Bluegrass Festival\, Fremont\, WI\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170713T210000
DTEND;TZID=America/New_York:20170713T210000
DTSTAMP:20260503T115233
CREATED:20170315T235737Z
LAST-MODIFIED:20170315T235737Z
UID:788-1499979600-1499979600@dantonboller.com
SUMMARY:Bridget Everett & The Tender Moments at Joe's Pub\, NYC
DESCRIPTION:“Who says the city no longer produces artists who challenge\, provoke and even\, on occasion\, dare to disgust? She can rock hard and does!” –The New York Times \nHot on the heels of her critically acclaimed and completely sold out production of Rock Bottom\, New York’s downtown darling Bridget Everett returns the stage with her band\, The Tender Moments\, and a bottle of chardonnay to sing all her favorite love songs and share the stories of the men that made her…feel? From tender moments to prison sex\, come get inside her. \n“She’s a one-woman liberation movement for anyone with genitals.” –New York Magazine \n“You can call it making love\, you can call it having sex\, but somebody is getting fucked tonight.” –Bridget Everett
URL:http://dantonboller.com/shows/bridget-everett-the-tender-moments-at-joes-pub-nyc-9/
LOCATION:CA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170712T210000
DTEND;TZID=America/New_York:20170712T210000
DTSTAMP:20260503T115233
CREATED:20170315T235654Z
LAST-MODIFIED:20170315T235654Z
UID:786-1499893200-1499893200@dantonboller.com
SUMMARY:Bridget Everett & The Tender Moments at Joe's Pub\, NYC
DESCRIPTION:“Who says the city no longer produces artists who challenge\, provoke and even\, on occasion\, dare to disgust? She can rock hard and does!” –The New York Times \nHot on the heels of her critically acclaimed and completely sold out production of Rock Bottom\, New York’s downtown darling Bridget Everett returns the stage with her band\, The Tender Moments\, and a bottle of chardonnay to sing all her favorite love songs and share the stories of the men that made her…feel? From tender moments to prison sex\, come get inside her. \n“She’s a one-woman liberation movement for anyone with genitals.” –New York Magazine \n“You can call it making love\, you can call it having sex\, but somebody is getting fucked tonight.” –Bridget Everett
URL:http://dantonboller.com/shows/bridget-everett-the-tender-moments-at-joes-pub-nyc-8/
LOCATION:Joe’s Pub\, 425 Lafayette St.\, New York\, NY\, 10003\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170711T210000
DTEND;TZID=America/New_York:20170711T210000
DTSTAMP:20260503T115233
CREATED:20170315T235545Z
LAST-MODIFIED:20170315T235545Z
UID:784-1499806800-1499806800@dantonboller.com
SUMMARY:Bridget Everett & The Tender Moments at Joe's Pub\, NYC
DESCRIPTION:“Who says the city no longer produces artists who challenge\, provoke and even\, on occasion\, dare to disgust? She can rock hard and does!” –The New York Times \nHot on the heels of her critically acclaimed and completely sold out production of Rock Bottom\, New York’s downtown darling Bridget Everett returns the stage with her band\, The Tender Moments\, and a bottle of chardonnay to sing all her favorite love songs and share the stories of the men that made her…feel? From tender moments to prison sex\, come get inside her. \n“She’s a one-woman liberation movement for anyone with genitals.” –New York Magazine \n“You can call it making love\, you can call it having sex\, but somebody is getting fucked tonight.” –Bridget Everett
URL:http://dantonboller.com/shows/bridget-everett-the-tender-moments-at-joes-pub-nyc-7/
LOCATION:Joe’s Pub\, 425 Lafayette St.\, New York\, NY\, 10003\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170624T200000
DTEND;TZID=America/New_York:20170624T200000
DTSTAMP:20260503T115233
CREATED:20170316T000556Z
LAST-MODIFIED:20170413T004014Z
UID:798-1498334400-1498334400@dantonboller.com
SUMMARY:Misha Piatigorsky Trio at Zinc Bar\, NYC
DESCRIPTION:Hailed by the Boston Globe as an artist who “beautifully merges the worlds of serious jazz and pop\,” Misha Piatigorsky’s blend of powerful melodies with an unusual harmonic sensitivity gives his sound a deeply personal yet cosmopolitan dimension\, reflecting his experience as a Russian-Jewish émigré growing up in urban America.\nWith Rudy Royston on drums and Danton Boller on bass.
URL:http://dantonboller.com/shows/misha-piatigorsky-trio-at-zinc-bar-nyc-9/
LOCATION:Zinc Bar\, 82 West 3rd Street\, New York\, NY\, 10012\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170623T200000
DTEND;TZID=America/New_York:20170623T200000
DTSTAMP:20260503T115233
CREATED:20170316T000450Z
LAST-MODIFIED:20170316T000450Z
UID:796-1498248000-1498248000@dantonboller.com
SUMMARY:Misha Piatigorsky Trio at Zinc Bar\, NYC
DESCRIPTION:Hailed by the Boston Globe as an artist who “beautifully merges the worlds of serious jazz and pop\,” Misha Piatigorsky’s blend of powerful melodies with an unusual harmonic sensitivity gives his sound a deeply personal yet cosmopolitan dimension\, reflecting his experience as a Russian-Jewish émigré growing up in urban America.\nWith Rudy Royston on drums and Danton Boller on bass.
URL:http://dantonboller.com/shows/misha-piatigorsky-trio-at-zinc-bar-nyc-8/
LOCATION:Zinc Bar\, 82 West 3rd Street\, New York\, NY\, 10012\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170622T200000
DTEND;TZID=America/New_York:20170622T200000
DTSTAMP:20260503T115233
CREATED:20170316T000351Z
LAST-MODIFIED:20170316T000351Z
UID:794-1498161600-1498161600@dantonboller.com
SUMMARY:Misha Piatigorsky Trio at Zinc Bar\, NYC
DESCRIPTION:Hailed by the Boston Globe as an artist who “beautifully merges the worlds of serious jazz and pop\,” Misha Piatigorsky’s blend of powerful melodies with an unusual harmonic sensitivity gives his sound a deeply personal yet cosmopolitan dimension\, reflecting his experience as a Russian-Jewish émigré growing up in urban America.\nWith Rudy Royston on drums and Danton Boller on bass.
URL:http://dantonboller.com/shows/misha-piatigorsky-trio-at-zinc-bar-nyc-7/
LOCATION:Zinc Bar\, 82 West 3rd Street\, New York\, NY\, 10012\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170617T230000
DTEND;TZID=America/New_York:20170617T230000
DTSTAMP:20260503T115233
CREATED:20170601T005015Z
LAST-MODIFIED:20170601T005015Z
UID:869-1497740400-1497740400@dantonboller.com
SUMMARY:Inyang Bassey & The Heathens at The McKittrick Hotel\, NY
DESCRIPTION:Heathens live at The Heath\, 11pm.\nCome to The Heath for an unforgettable night filled with delicious cocktails and the electrifying soulful rock of Heathens.\nYour RSVP guarantees admission. Libations will be available for purchase throughout the night. \nGuests who purchase a reserved seat for Heathens will be treated to a complimentary cocktail upon arrival. Watch a video here
URL:http://dantonboller.com/shows/inyang-bassey-the-heathens-at-the-mckittrick-hotel-ny/
LOCATION:The McKittrick Hotel\, 530 West 27th Street\, NY\, NY\, 10001\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170617T200000
DTEND;TZID=America/New_York:20170617T200000
DTSTAMP:20260503T115233
CREATED:20170425T235915Z
LAST-MODIFIED:20170425T235915Z
UID:832-1497729600-1497729600@dantonboller.com
SUMMARY:Misha Piatigorsky Trio at Zinc Bar\, NYC
DESCRIPTION:Hailed by the Boston Globe as an artist who “beautifully merges the worlds of serious jazz and pop\,” Misha Piatigorsky’s blend of powerful melodies with an unusual harmonic sensitivity gives his sound a deeply personal yet cosmopolitan dimension\, reflecting his experience as a Russian-Jewish émigré growing up in urban America.
URL:http://dantonboller.com/shows/misha-piatigorsky-trio-at-zinc-bar-nyc-12/
LOCATION:Zinc Bar\, 82 West 3rd Street\, New York\, NY\, 10012\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170614T223000
DTEND;TZID=America/New_York:20170614T223000
DTSTAMP:20260503T115233
CREATED:20170413T003632Z
LAST-MODIFIED:20170413T003632Z
UID:819-1497479400-1497479400@dantonboller.com
SUMMARY:GOAT at the Bitter End\, NYC
DESCRIPTION:
URL:http://dantonboller.com/shows/goat-at-the-bitter-end-nyc-3/
LOCATION:Bitter End\, 147 Bleecker St.\, NY\, NY\, 10012\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170610T200000
DTEND;TZID=America/New_York:20170610T200000
DTSTAMP:20260503T115233
CREATED:20170601T004752Z
LAST-MODIFIED:20170601T004752Z
UID:865-1497124800-1497124800@dantonboller.com
SUMMARY:Roy Hargrove Quintet\, Tarrytown\, NY
DESCRIPTION:Trumpeter Roy Hargrove has firmly established himself among the premier players in jazz and beyond. Ever-stretching into more challenging and colorful ways to flex his musical chops\, Hargrove has left indelible imprints in a vast array of artful settings.
URL:http://dantonboller.com/shows/roy-hargrove-quintet-tarrytown-ny-2/
LOCATION:Tarrytown\, NY\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170609T200000
DTEND;TZID=America/New_York:20170609T200000
DTSTAMP:20260503T115233
CREATED:20170601T004628Z
LAST-MODIFIED:20170601T005235Z
UID:861-1497038400-1497038400@dantonboller.com
SUMMARY:Roy Hargrove Quintet\, Tarrytown\, NY
DESCRIPTION:Trumpeter Roy Hargrove has firmly established himself among the premier players in jazz and beyond. Ever-stretching into more challenging and colorful ways to flex his musical chops\, Hargrove has left indelible imprints in a vast array of artful settings.
URL:http://dantonboller.com/shows/roy-hargrove-quintet-tarrytown-ny/
LOCATION:Tarrytown\, NY\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170604T200000
DTEND;TZID=America/New_York:20170604T200000
DTSTAMP:20260503T115233
CREATED:20170426T004415Z
LAST-MODIFIED:20170531T235151Z
UID:849-1496606400-1496606400@dantonboller.com
SUMMARY:Roy Hargrove Quintet\, Los Angeles
DESCRIPTION:Trumpeter Roy Hargrove has firmly established himself among the premier players in jazz and beyond. Ever-stretching into more challenging and colorful ways to flex his musical chops\, Hargrove has left indelible imprints in a vast array of artful settings. During his tenure on the Verve label alone\, he has recorded an album with a hand-picked collection of the world’s greatest tenor saxophonists (With the Tenors of Our Time)\, an album of standards with strings (Moment to Moment) and\, in 2003\, introduced his own hip hop/jazz collective The RH Factor with the groundbreaking CD Hard Groove (swiftly followed by the limited edition EP\, Strength). Hargrove has also won Grammy Awards for two vastly different projects. In 1997\, Roy’s Cuban-based band Crisol (including piano legend Jesus “Chucho” Valdes and wonder drummer Horatio “El Negro” Hernandez) won the Best Latin Jazz Performance Grammy for the album Habana. And in 2002\, Hargrove\, Herbie Hancock and Michael Brecker won Best Instrumental Jazz Album\, Individual or Group\, for their three-way collaboration Directions in Music.
URL:http://dantonboller.com/shows/roy-hargrove-quintet-los-angeles-3/
LOCATION:Catalina Jazz Club\, 6725 West Sunset Blvd.\, Hollywood\, CA\, 90028\, United States
END:VEVENT
END:VCALENDAR